{"id":28411,"date":"2018-10-19T00:00:00","date_gmt":"2018-10-18T22:00:00","guid":{"rendered":"https:\/\/museuterra.srvcactus.com\/article\/article-lange-i-taylor-feina-i-amor-al-dust-bowl\/"},"modified":"2025-07-14T17:51:01","modified_gmt":"2025-07-14T15:51:01","slug":"article-lange-i-taylor-feina-i-amor-al-dust-bowl","status":"publish","type":"article","link":"https:\/\/museuterra.srvcactus.com\/fr\/article\/article-lange-i-taylor-feina-i-amor-al-dust-bowl\/","title":{"rendered":"Lange i Taylor, feina i amor al Dust Bowl"},"content":{"rendered":"<div class=\"et_d4_element et_pb_section et_pb_section_0  et_pb_css_mix_blend_mode et_section_regular et_block_section\" >\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_d4_element et_pb_row et_pb_row_0  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_4_4 et_pb_column et_pb_column_0  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_0  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>A l\u2019exposici\u00f3\u00a0<strong><a href=\"https:\/\/museuterra.srvcactus.com\/the-dust-bowl\/\"><em>The Dust Bowl. Quan la natura es rebel\u00b7la<\/em><\/a><\/strong>, destaquen per sobre de tot les fotografies de Dorothea Lange, retrats corprenedors del drama hum\u00e0 que supos\u00e0 el\u00a0<em>Dust Bowl<\/em> i del periple de la migraci\u00f3 des de les Grans Planes fins a Calif\u00f2rnia. Un petit tast de les gaireb\u00e9 4.000 fotos que va realitzar entre el 1935 i el 1942 com a fot\u00f2grafa a sou de la Farm Security Administration. Un c\u00e0rrec \u2013el de fot\u00f2grafa pagada pel govern federal\u2013 que es guany\u00e0 gr\u00e0cies a la seva professionalitat i a la qualitat del seu treball.<\/p>\n<p>L\u2019any 1929, quan va esclatar la Gran Depressi\u00f3, Dorothea Lange estava casada amb el pintor Maynard Dixon i tot just un any abans havia donat a llum el seu segon fill. La fam\u00edlia vivia a San Francisco, on Lange regentava un estudi fotogr\u00e0fic. La greu crisi que comport\u00e0 la Gran Depressi\u00f3 va sembrar els carrers d\u2019arreu del pa\u00eds d\u2019escenes impactants que \u2013suposo\u2013 eren inevitables de plasmar per a una fot\u00f2grafa com Dorothea Lange. Com a resultat, l\u2019estiu del 1934 inaugurava una exposici\u00f3 a la galeria del grup fotogr\u00e0fic f\/64 amb algunes d\u2019aquestes vistes del San Francisco post Crac del 29.<\/p>\n<p>De tots els visitants que passaren per l\u2019exposici\u00f3 de Lange a la f\/64, cal destacar-ne un, ja que capgirar\u00e0 la hist\u00f2ria. Paul Schuster Taylor era economista i professor de la Universitat de Calif\u00f2rnia, tamb\u00e9 treballava per al govern de Franklin Delano Roosevelt que havia iniciat un pla de mesures per revertir els efectes de la Gran Depressi\u00f3. Concretament, a Taylor, li tocava analitzar i realitzar informes sobre la migraci\u00f3, en especial la d\u2019origen mexic\u00e0. L\u2019any 1934, en veure les obres de Dorothea Lange a les parets de la galeria, ho va tenir clar a l\u2019instant, la necessitava per il\u00b7lustrar els seus informes. Amb aquest prop\u00f2sit la va contractar.<\/p>\n<p>A partir d\u2019aleshores, Paul S. Taylor i Dorothea Lange iniciaren una relaci\u00f3 professional que ben aviat traspass\u00e0 al vessant sentimental. Lange i Taylor es divorciaran de les seves respectives parelles per casar-se a finals del 1935.<\/p>\n<p>Entre altres, Lange i Taylor elaboraran dos informes l\u2019any 1935 sobre la situaci\u00f3 dels migrants a Nipomo i Imperial Valley que Taylor trametr\u00e0 al govern federal. Aquests documents tindran efectes directes sobre el territori, la creaci\u00f3 dels camps de migrants de Marysville o el de Weedpatch (dirigit per Tom Collins i escenari de part d\u2019<em>El ra\u00efm de la ira<\/em>, l\u2019obra insigne de John Steinbeck) es deuen, sobretot, a la feina de Lange i Taylor.<\/p>\n<p>Aquests mateixos informes, amb les fotografies de Lange, arribaran fins a mans de Roy Emerson Stryker, membre de la \u00a0Farm Security Administration i responsable de la sel\u00b7lecci\u00f3 de fotoperiodistes per documentar i crear un registre fotogr\u00e0fic dels efectes de la Gran Depressi\u00f3. D\u2019igual forma que li pass\u00e0 a Taylor l\u2019any 1934, quan Stryker va veure les fotografies de Lange, de seguida resolgu\u00e9 que la volia en el seu equip, i l\u2019agost de 1935, li feia signar el contracte pel qual passava a integrar-se al grup de fot\u00f2grafs que varen bastir la mem\u00f2ria gr\u00e0fica d\u2019un dels per\u00edodes m\u00e9s fascinants \u2013 tanmateix trist \u2013 de la hist\u00f2ria dels Estats Units.<\/p>\n<p>El matrimoni Taylor-Lange va continuar amb la seva tasca i mentre Lange immortalitzava la crua realitat dels\u00a0<em>okies<\/em>, Taylor recollia la informaci\u00f3 per elaborar els seus informes. El llibre conjunt\u00a0<em>An American Exodus: A record of Human Erosion,<\/em>\u00a0publicat l\u2019any 1939 resta com a exemple. La parella trametia els reportatges al govern federal i tamb\u00e9 realitzava pon\u00e8ncies entre els cercles influents per tal d\u2019augmentar la consci\u00e8ncia vers la necessitat d\u2019ajudar: \u00abNo podem tolerar entre nosaltres la fam i la malnutrici\u00f3 dels seus fills, les seves condicions de vida insalubres i la seva malaltia. Ni l\u2019estat de Calif\u00f2rnia ni els Estats Units poden posposar o esquivar aquesta responsabilitat\u00bb.<\/p>\n<p>En definitiva, doncs, Paul S. Taylor i Dorothea Lange s\u00f3n dos dels noms propis que cal afegir a la llista, amb els de Tom Collins o John Steinbeck, de personalitats vinculades al\u00a0<em>Dust Bowl<\/em>. Per\u00f2 sense oblidar els veritables protagonistes, els homes i dones que menaven vers Calif\u00f2rnia a la recerca del seu futur. Fins al 5 de gener us esperen al Museu de la Vida Rural. Visiteu-los!<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_image et_pb_image_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<span class=\"et_pb_image_wrap \"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"449\" src=\"https:\/\/museuterra.srvcactus.com\/wp-content\/uploads\/2024\/06\/DorotheaLangeandPaulTaylor1939.jpg\" alt=\"\" title=\"Dorothea Lange and Paul Taylor, 1939\" class=\"wp-image-26400\" \/><\/span>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_1  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>Lange i Taylor el 1939. \u00a9 Imogen Cunningham<\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n","protected":false},"featured_media":26400,"template":"","format":[203],"autor":[202],"ods":[265],"seccio":[190],"class_list":["post-28411","article","type-article","status-publish","has-post-thumbnail","hentry","autor-alex-rebollo-sanchez","format-article","ods-art-patrimoni-cultura","seccio-reflexio"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lange i Taylor, feina i amor al Dust Bowl - Museu Terra<\/title>\n<meta name=\"description\" content=\"Descobreix la hist\u00f2ria de Dorothea Lange i Paul Taylor, la seva feina documental i el seu amor enmig del Dust Bowl. 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