{"id":28369,"date":"2022-04-21T00:00:00","date_gmt":"2022-04-20T22:00:00","guid":{"rendered":"https:\/\/museuterra.srvcactus.com\/article\/article-larrencaceps-changes-i-lespinas\/"},"modified":"2025-07-15T13:42:52","modified_gmt":"2025-07-15T11:42:52","slug":"article-arrencaceps-changes-espinas","status":"publish","type":"article","link":"https:\/\/museuterra.srvcactus.com\/en\/article\/article-arrencaceps-changes-espinas\/","title":{"rendered":"L\u2019arrencaceps, \u00abChanges\u00bb i l\u2019Espin\u00e0s"},"content":{"rendered":"
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El dia que David Bowie va fer el seu darrer concert, el 9 de novembre de 2006, l\u2019\u00faltima can\u00e7\u00f3 amb qu\u00e8 va delectar l\u2019entregat p\u00fablic va ser \u00ab<\/strong>Changes\u00bb<\/strong>. Era el tema que trenta-cinc anys abans obria el seu quart \u00e0lbum, Hunky Dory<\/em>, publicat el desembre del 1971 i considerat un dels millors de la carrera de l\u2019artista londinenc. Una can\u00e7\u00f3 que, en principi, ell mateix creia menor, per\u00f2 que el p\u00fablic va acollir amb entusiasme, fent-se-la seva a l\u2019instant. Potser perqu\u00e8 parlava d\u2019una q\u00fcesti\u00f3 tan universal com s\u00f3n els canvis?<\/strong> <\/strong><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

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Arrencaceps. Pe\u00e7a n\u00fam. 6710 de la col\u00b7lecci\u00f3 de l'MVR. <\/span>\u00a9MuseuVidaRural<\/em><\/p><\/div>\n\t\t\t<\/div>

\n\t\t\t\tm\u00e9s informaci\u00f3 de la pe\u00e7a<\/a>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>
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De canvis, el m\u00f3n rural en sap un niu, comen\u00e7ant per l\u2019entorn que dia a dia canvia. Al final, els canvis suposen la constataci\u00f3 que el temps passa.<\/strong> Els paisatges que veiem avui no sempre han estat com s\u00f3n. Per exemple, a Osona, la Garrotxa o el Vall\u00e8s, els ceps avui tornen \u2014lentament, val a dir\u2014 a poblar un paisatge on fa un segle eren habituals i d\u2019on havien desaparegut.<\/p>\n

El camp, en constant canvi, com va comprovar Espin\u00e0s el 1957 a prop del Masroig. Si hi ha un escriptor de casa nostra de qui es pugui dir que escriu amb els peus sense que sigui despectiu, aquest \u00e9s Josep Maria Espin\u00e0s<\/strong>. Prol\u00edfic i longeu, porta sobre les espatlles m\u00e9s d\u2019una seixantena de llibres i a les cames molts quil\u00f2metres, ja que les cr\u00f2niques de viatges han estat un dels seus forts.<\/strong> D\u2019aquesta manera, la tardor del 1957 s\u2019endins\u00e0 al Priorat per rec\u00f3rrer-lo a peu i escriure una cr\u00f2nica personal del paisatge i la seva gent. De resultes, A peu pel Priorat 1957<\/em>, editat per La Campana anys m\u00e9s tard. De totes les escenes de tipisme priorat\u00ed que descriu, n\u2019hi ha una que el va colpir a ell i que colpeix el lector:<\/p>\n

[...] La contemplaci\u00f3 produeix una profunda ang\u00fania\u2026 Del centre del cavallet de fusta penja la gruixuda cadena que al capdavall abra\u00e7a el cep i que, quan puja, l\u2019estira, el desarrela, el deixa balancejant en l\u2019aire com l\u2019esquelet d\u2019un penjat.<\/em><\/p>\n

L\u2019operaci\u00f3 t\u00e9 una brutalitat que atura la respiraci\u00f3, potser perqu\u00e8 tot es fa en un silenci impressionant, sense crits humans, sense que la sang es vessi. Nom\u00e9s se sent el grinyol de la cadena, curt i repetit.<\/em><\/p>\n

L\u2019un darrere l\u2019altre, els ceps deixen la terra i les seves arrels intenten de fixar-se en l\u2019aire \u2014les seves arrels obscures que ara es debaten il\u00b7luminades pel sol mortal.<\/em> <\/strong><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

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Exposici\u00f3 temporal \u00abGeneraci\u00f3 [Re] Continu\u00eftat o canvi?\u00bb del Museu de la Vida Rural<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

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Ens narra com una parella de pagesos arrenquen els ceps de la vinya utilitzant l\u2019arrencaceps, m\u00e0quina creada per aquest prop\u00f2sit. Espin\u00e0s no explica, per\u00f2, perqu\u00e8 ho fan, b\u00e9 perqu\u00e8 sigui un proc\u00e9s natural de substituci\u00f3 d\u2019unes vinyes velles o mortes per unes de noves o b\u00e9 perqu\u00e8 els result\u00e9s nefast negoci i decidissin fer un canvi de conreu. Despr\u00e9s de la fil\u00b7loxera \u2014quan l\u2019arrencaceps va fer-se imprescindible\u2014 aquells ceps plantats en els terrenys que no havien estat conreats abans, com els vessants costeruts, fent-hi terrasses, i les carenes, van ser abandonats per la poca rendibilitat. <\/strong>I el seu espai el va anar colonitzant la vegetaci\u00f3 espont\u00e0nia i tamb\u00e9 la plantaci\u00f3 d\u2019arbres que han configurat els boscos que actualment tenim i que pensem que sempre han estat all\u00ed: els de pi blanc, al sud i centre del pa\u00eds o els de pi pinyer i alzina surera, a la costa de Girona, per citar dos exemples. I cada estiu, quan \u2014desgraciadament\u2014 un incendi forestal assola el nostre territori, ens retorna aquests bancals i terrasses de les muntanyes com un vestigi del passat i un recordatori d\u2019all\u00f2 que ens queda, encara, de la fil\u00b7loxera.<\/p>\n

Her\u00e8ncies com les Catedrals del vi que tant ens agrada visitar fent enoturisme els caps de setmana i que, si no \u00e9s per l\u2019insecte citat, no existirien i en Martinell hagu\u00e9s deixat de guanyar molts quartos. La comunitat, la comunitat de les cooperatives agr\u00edcoles els va salvar o, com a m\u00ednim, els va fer entendre que plegats era tot m\u00e9s f\u00e0cil i, si m\u00e9s no, podien compartir despeses, com ara la compra d\u2019un arrencaceps que anava passant de camp en camp per fer la feina que a l\u2019Espin\u00e0s tanta ang\u00fania va provocar-li.<\/strong> Aix\u00f2 s\u00ed, als anys cinquanta, quan la fil\u00b7loxera era passat, per\u00f2 la crisi al camp seguia sent present. No en va, \u00e9s l\u2019inici del gran \u00e8xode rural del segle xx. Feu la prova, entreu a Google i cerqueu la paraula poblaci\u00f3<\/em> m\u00e9s el nom del poble que vulgueu, r\u00e0pidament es genera una l\u00ednia de l\u2019evoluci\u00f3 demogr\u00e0fica que no cal ni interpretar, per si sola parla. <\/strong><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

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Bancals, reforestaci\u00f3 del Bosc de Poblet 1963-1976. Arxiu del Paratge Natural del Bosc de Poblet. Fons: Patrimonio Forestal (Antonio Monz\u00f3n Perala) del PNIN<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

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Tornant a l\u2019arrencaceps, el resultat de la seva acci\u00f3 \u00e9s un forat a terra que tant pot ser una ferida, mostra d\u2019un frac\u00e0s o una oportunitat, clot que espera una llavor nova. El mateix que passa amb les crisis, no?<\/strong> Siguin del tipus que siguin, materialitzen una posada davant del mirall i un moment \u2014for\u00e7\u00f3s, a voltes\u2014 per aturar-se, pensar i repensar. I, en conseq\u00fc\u00e8ncia, fer que tot, alguna cosa o res canvi\u00ef.<\/p>\n

Si voleu con\u00e8ixer m\u00e9s de l\u2019arrencaceps, veure\u2019l en directe \u2014amb el seu posat d\u2019instrument de tortura\u2014 i jutjar si la prosa de l\u2019Espin\u00e0s li fa just\u00edcia, visiteu-nos i visiteu l\u2019exposici\u00f3 temporal \u00abGeneraci\u00f3 [Re]\u00bb<\/em><\/a>, en Bowie i el seu \u00abChanges\u00bb tamb\u00e9 hi s\u00f3n. <\/strong><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n","protected":false},"featured_media":26198,"template":"","format":[203],"autor":[202],"ods":[265],"seccio":[179],"class_list":["post-28369","article","type-article","status-publish","has-post-thumbnail","hentry","autor-alex-rebollo-sanchez","format-article","ods-art-patrimoni-cultura","seccio-memoria"],"acf":[],"yoast_head":"\nL\u2019arrencaceps, \u00abChanges\u00bb i l\u2019Espin\u00e0s - Museu Terra<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/museuterra.srvcactus.com\/article\/article-arrencaceps-changes-espinas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019arrencaceps, \u00abChanges\u00bb i l\u2019Espin\u00e0s - 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